truncate
\ TRUHNG-keyt \ , verb;
1. To shorten by cutting off a part; cut short: Truncate detailed explanations.
2. Mathematics, Computers. To shorten (a number) by dropping a digit or digits: The numbers 1.4142 and 1.4987 can both be truncated to 1.4.
1. Truncated.
2. Biology . A. Square or broad at the end, as if cut off transversely. B. Lacking the apex, as certain spiral shells.
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“Well, how is it?” Asked Jeremy
hopefully wringing his hands while Alice, his older sister, looked
over the pages. She sighed and put them down.
“It's too long.” She said.
“Too long? What do you mean too
long?”
“I mean exactly what I said. Your
story is too long.”
Jeremy didn't respond right away,
hoping for some kind of elaboration. When it was clear none was
coming, he spoke.
“Well, what makes it too long? I
mean, I think it's the exact right length.”
“Then you're wrong. Look here,”
Alice said, picking up the pages and flipping to the last few, “Your
story is twenty-eight pages long. The problem is, the main climax
occurs on page twenty-two, and the story is really complete at
twenty-four. The rest is just you trying to pad out the story as
long as possible.” She handed the story to her brother to look
over again. He skimmed the pages briefly. He wrote them after all,
so he didn't need to read them in any detail. That was Alice's job.
“I don't see it. The pages you
think are just padding show how the main character is moving on with
his life. He got over his relationship problems and was once again
able to write.”
“And you show that very well at the
end of page twenty-four, with the line: 'He looked at the old, dusty
pad and pen, and sat down in front of them.' After that, the reader
should be able to connect the dots and figure out that he started
writing again, and you can effectively end the story with that line.
After that, it's all just how he resumes his career and such.
Totally unnecessary.”
“But it shows his progress as a
character. You always say there should be some kind of progress and
development in my characters, the ending pages show that.”
“And so do the previous twenty pages
or so. Those last four pages are like adding an extra layer of
whipped cream to an ice cream sundae that already has a lot of it.”
Jeremy looked up at Alice, her problems with his current story
temporarily forgotten with the off hand compliment. This was the
first time she had said something like that since he had started
writing.
“So your saying the rest of my story
is good?” He asked. Alice looked away, suddenly finding the floor
much more interesting.
“Well, I didn't say that. You have
improved though. You just have to work on knowing when to end it.”
“Yeah, yeah. Fine.” He smiled
knowingly at her. For her, comparing anything to an ice cream sundae
was the highest compliment she could give. She would never admit it,
of course, but she clearly liked the story up until the end. He
words just made him think that he was right, and that she was just
trying to find something to complain about.
“So,” he continued, “Other than
lopping off the last four pages, what else should I do.” He leaned
forwards, leaning his elbows on the table they had been sitting at,
and folding his hands under his chin.
“Of course there's still things you
should do.” She glared at his obvious attitude. She had chosen
her words poorly, and now her younger brother would get a big head
and ignore most of her advice. But she had to give it anyway.
Otherwise he would never learn. “There's so many other small
errors in the story, I don't even know where to begin.”
“Well then,” Jeremy said, his smug
grin still on his face. “Let's get to work.”
***************
A writer writing about a writer writing about a writer. Let's just hope that writer isn't also writing about a writer, otherwise this could get really out of hand.
I like it, very captivating. Like the story the sister refers to, I don't like the end. Other than that, it's as good as icecream sunday
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